In a Maine Junk Shop

Others’ lives are on full display here.
Through the late afternoon
The light makes its way through motes of dust
Onto collection after collection.

The shrewd pickers look right past the string of musty pearls
That catch my eye,
Honing in instead on a pair of tiny opal earrings
With an eye to resale.
They know how this is done.

A table off on its own offers cloth-bound books
Arranged by colour.
Who would devise such bizarre cataloguing?
Pride and Prejudice propped up against
Walter Potter’s Curious World of Taxidermy,
With their similar covers of cherry red.

An exhibit of photographs comes next.
The people shown with seemingly little to smile about.
Matching sepia toned oval photos show three young girls, sisters it would appear,
The outer plastic sheath now splintered and yellowed.
Obscuring, endangering, what it was once
Meant to preserve.

The savvy pickers haggle now with the bored shopkeeper
But none seem the least concerned
About the back story. Who might the earrings have been worn by, I wonder.
What young girl’s hands carefully inserted the tiny buds?
Before what special evening.
What hopes lay in her heart as she descended the stairs for the dance.
Did she later tuck them away for a daughter
Who was never meant to be?

We want it all to mean something.
So we hold on to the unremarkable snapshots of those long dead,
A child’s single mitten,
An ancient love letter in painstaking calligraphic script.
A matted braid of strawberry blond hair
From whose head we shall never know.

Sadness For Beginners

Start small.
Close the drapes.
Mute your phone.

Revisit botched endings in turn
like a row of dominoes.
Research poetry awards you’ve never even heard of
that you will not win.

Walk very far in cold rain.
Visit random cemeteries. Linger.
Listen to each of the stories within.

The times you turned away, didn’t show,
said the unkind thing.
There are limitless ways, really.
Try it with me.

Recall the times you promised something
you knew
you could never deliver.

Dig out old love letters, the ones received,
even better,
the ones you never sent.

It’s a muscle you can develop,
and in time learn that
sadness teaches you a thousand times more
than happiness ever will.

Sickly Sweet

It is an exacting quid pro quo.
The deeper I bury what I need to say
the loftier my cakes become.
The frosting atop growing thicker, sweeter,
the longer I wait to excavate
my deepest self.

When my freezer is filled with home baked goodies
my words in turn remain unwritten,
buried beneath heart shaped Teflon pans,
obliterated by scorching ovens.

My rhubarb cobbler oozes yet more succulent fruit
with every twinge of pain, every self-discovery
that goes undocumented.
These days my famous toffee bars
are overflowing their trays with caramel,
no end to the decadent treasures
they hold deeply within.

Old medicine shelf

Something Called Qi

My friend made an appointment
with the city’s much acclaimed doctor of Eastern medicine,
way down on the Danforth above the Roots store.
He opened the session by counselling her vehemently
via his earnest translator
to keep the nape of her neck covered at all times
in order to guard against the marauders,
the incoming toxins.
She hadn’t even removed her coat.
This guy meant business.

First he asked her to stick out her tongue,
a diagnostic tool esteemed among Eastern prognosticators,
the sight of which prompted from him a harangue in Mandarin.
It seemed her tongue was seemingly the wrong color and texture,
not to mention tone,
this a sure-fire flag to her malaise,
something called her Qi entirely out of whack,
but you pronounce it chi.

The ancient art of cupping came next.
She followed orders, open to all of it ,
this woman who once scoffed at yoga, calling upon the ancients now,
flipping onto her back wordlessly, bare from the waist up.

The click and then the hiss of the Bic lighter
as the small discs of thick clear glass were heated,
then placed on her back in turn,
one replacing another in swift succession.

A lengthy script for a herbal concoction came next,
to be purchased in Chinatown,
Mondays and Wednesdays only.
And call first.

I used to think chemo was bad,
she joked to the doctor at their next session,
confessing she could not choke down
even one more drop of his prescribed brew,
its smell alone prompting memories of a dismal sheep farm
we had worked on together years ago in New Zealand.

The doctor’s final words were succinct:
No pepper, no spice, no hot, he admonished,
It takes time.
Time, he counselled, his hand upon hers,
clarifying for my friend what in the end
no one in the East nor the West
was able to give her.

selective focus photo of red rose flower

Smoke Signals

How can you not think of me
in winter
when afternoons dwindle on
in grayness
remembering our summers
spent wrapped together.

Not miss me late at night
in the absolute stillness
when nothing stands between you
and your memories of me.

Don’t you have moments
when the pain is too much
when you get tired of saying onwards
when you get tired of alone.

Don’t you yearn
to etch my name
onto frosted windows
carve it
into the bark of trees
trail it
in smoke across skies
shout it at will.

As if by doing so
I will magically come again
having been beckoned
with such longing.

Vivid red

Vivid Red

I received this framed portrait in the mail today from a friend of mine. She combined a photo of me with a poem written by my friend the writer Tia Finn. I will treasure this, always, as it was a gift that came straight from their hearts.

Pink Angora

How wrong we can be about the things we think will save us…

I walked behind them on the way home after skating that Saturday night
in my small town.
He was the high school all-star,
she the ice ballerina.

She wore pink angora mittens and a matching beret,
perched at what seemed the perfect angle on her small head,
her white-blond hair cascading down.

She was so small he towered beside her as they walked.
He strode, she with tiny quick mincing steps to keep up,
her little pink furry hand eclipsed inside his enormous one.

She looked up at him often and longingly.
He looked straight ahead and did most of the talking,
I couldn’t imagine that bitter February night
happiness being anywhere but right here,
in front of me,
she at his side,
with a rightful place,
and a way for her to be in this world.

At 15,
it seemed all I needed was there,
in that matching set of woolens
and in a tall young man walking beside me
who could have been anywhere,
anywhere he wanted,
but had chosen here,
with me.

Waiting Room

Lying there
amidst a scattering of pillows
flanked by your medications,
oblivious,
you seem more real to me than ever,
probably because a bed
was never able to contain you.
Before our feet were on the floor
we heard you mornings,
bustling in the kitchen,
radio on, the tea hot.

Small,
I remember stumbling to the washroom
in the wee hours, you as ever
in your chair across the living room,
smoke curling from your ashtray;
you’d look up from your book
and smile at me,
ten-thousand watts.

Through the years it seemed that
sleep was for other people.
It is your turn now –
nothing left to be done, nothing can be done.
Close your eyes, mother.
Someone else will turn out the lights.

Big Points for Trying

I was good to animals and small children.
Made room for the guy on the streetcar
who talked to himself.
Even gave him a few bucks.
But truth be told:
I never invited him home to tea.

Didn’t always take the easiest way,
but certainly enough times.
And, yes, vanity got in the way,
more than once —
the fight back from an ugly girlhood.

I frittered away talent,
pearls to swine, some might say,
churning out Annual Reports for rent money,
giving my all on corporate press tours,
with no energy left for the poem.
But a girl’s got to make a living
long seemed a decent excuse.

The world gives you too many reasons
to feel you’re not quite
good enough, talented enough.
accomplished enough.
And there was I —
Listening intently
to each
and every one.

I read my poem “The Once and Future Beauty Queens.”

Click and listen here. https://youtu.be/6ujj9r1Ywho

Here is the poem’s text.

The Once and Future Beauty Queens.

At the A&P in my first part-time job
it was the full time cashiers I studied most.
They seemed savvy and
at 16 I was looking for ways to be.

I watched them on breaks from my corner perch
in the crowded airless lunchroom, upstairs in the back,
all smoking roll-your-owns, laughing nervously at the men’s crude jokes,
carefully picking stray flakes of tobacco off their crimsoned lips,
in this small northern town looks their only currency.

The older women like Evelyn were quiet, would light one off the other,
eyes on the clock, sullen,
counting down their moments of freedom
and how many they could power through before time was up.

Laughing the loudest was Shirley, the head cashier, smarter than the rest.
Her lipstick bled all day on a slightly trembling mouth,
her deep well of sadness pouring forth even as she laughed,
this one-time looker, this prom queen gone wrong.
The story went her husband beat her,
but never where the marks would show.

I can still smell the place,
the filthy overcrowded fridge packed with
meatloaf sandwiches and last night’s chili,
Dutch the butcher’s apron soaked in blood,
his cuticles caked red.

The sounds come back clearly too,
breaking apart our folded white cotton uniforms stiff with starch,
the click of the pricing guns resounding up and down the aisles,
the funereal clunk of time cards being punched at the top of the stairs,
the defeat in Evelyn’s voice over the crackling p.a. system,
calling wearily “All parcellers to the front.”

And how there was a pecking order to everything, even this:
How the prettiest girls were the first to get help at their tills,
young boys rushing into their stalls behind them,
as horses into gates,
eager to package groceries every Friday night
for the current beauty queens.

Writer and Poet

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Tricia McCallum profile

Tricia McCallum

Always be a poet. Even in prose.
Charles Baudelaire.

In essence I am a storyteller who writes poems. Put simply, I write the poems I want to read.[…]

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